This hat pattern has 5 sizes and will work for many hats. It can be used to make several Restoration period hats (1600's) as well as many from the 17 and 1800's and of course, Edwardian Titanic hats and modern sun hats. Because some Men's top hats do not have an arched brim this pattern can be used to make top hats as well as the low crowned version called a 'Muller-cut-down' popular in the 1860's, a hat very similar to a Boater. This pattern can be used to make most hats that have a straight sided crown and an oval shaped brim. You can make anything for a Gainsburough hat to a tricorn. The pattern lets you choose the height of the crown sides and the size of the brim as well as the placement of the head opening. As an example the Titanic hat below has the head opening rotated 90 degrees from normal and also off center, which gives the large up sweep on the right.If you've never made a hat before, Lynn saysFabric Covered HatsTruths about Fabric Covered Buckram HatsBuckram is a fabric that is made stiff with water-soluble glue, I recommend double layer (theatrical buckram). It has been in use for hundreds of years. In most cases millenary wire is sewn to the edges of buckram pieces to add extra stiffness and to be able to shape the final hat. The substructure of buckram and wire once completed is rigid. Covering rigid hat forms with fabric in many ways is more like upholstery than sewing. You will have a solid structure that you will have to cover smoothly with fabric that can stretch usually in one direction (along the bias) and not in another (along the straight of grain). You will use your sewing skills for sure but it's not quite the same. It starts with the pattern.Millinery patterns do not always have seam allowances there are three reasons for this. First, often the pattern has multiple size options in one pattern piece, if you added the lines for cutting and sewing for all the sizes after a while it would be difficult to know just where to cut. The second is that you may need to alter the head opening on your pattern and this would change the seam allowance. Third because I can not always know just how thick your wire might be or just how thick your flannel interfacing (mull) might be or just how much stretch your fabric might have, a seam line can only be approximate. The very best way to achieve a great looking final product is to use your wired and mulled brim to determine your sewing line. Lay your mulled, wired buckram brim over the wrong side of one of the fabric brim pieces, trace the outside with chalk very close to the edge. This chalk line will be your sewing line no matter much seam allowance there is.The more complicated the hat the more often you will find yourself in situations that are awkward. Sometime a curved sewing needle will come in handy. This is the reason that I have written the instructions so that, if you are making a hat with a brim, the brim is worked separately from the crown until the very end. If you look in some books on making hats they will tell you to put the buckram brim and crown together and then add the mull and then the fabric. This construction technique solves many of the awkward and difficult construction steps. Sometimes you will be sewing through many layers of fabric and buckram if you don t have normal hand strength you will either have to use pliers and or do most of the construction on the sewing machine. You need to have a machine that can handle heavy weight fabrics and has a zig-zag stitch. I don t want to scare you off making a hat; it can be one of the most rewarding endeavors in costuming. A good hat is the crowning glory to any period costume. I do suggest that you do two things, one give yourself the time, don t leave the hat until the end and think that you will be able to knock it off in just a few hours. Second start with one of the simpler hats if you have never made a buckram hat before. They are listed below in order of complexity; Attifet, brimless, flat cap, gothic, Italian bonnet, French hood, high crowned, arched brim.And Oh, do contact me if you have any questions, Lynn McMasters
Our Price (inc VAT):
The easiest way to add boning channels to corsets, crinolines, bustles etc
Our Price From: £5.75
Sample backs of boning or fabric ranges
Our Price From: £5.95
Great for basques, swimwear and lighter foundation garments. This fine boning has thickened strands running through it and resists twisting. The 7mm i...
Our Price From: £22.69
Amazing Millinery and dressmaking fabric.
Our Price From: £1.69
1890s Five Gore Skirt
Our Price: £11.86
1890s Waist with Four Bodice and Five Sleeve Options
An elegant and simple corset pattern-Highly reccomended
Our Price: £11.78
Classic hat pattern from Lynn McMasters
Our Price: £11.99
Men's Victorian and Edwardian informal and formal shirts with multiple collar and cuff choices. Included are 14 different styles of period neckwear.
Our Price: £19.00
Brilliant Historical Pattern from Lynn Mcmasters
Please fill in the following form to contact us.